ANEXO

Figura 1: Picasso, Cabeza, 1913

Figura 2: Picasso, Guitarra, 1913

Figura 3: Umberto Boccioni, Dinamismo de un ciclista, 1913

Figura 4: Marcel Duchamp, La novia siendo desnudada por los solteros, 1913-1923.

Figura 5: Marcel Duchamp, La fuente, 1917.

Figura 6: Ad Reinhardt, Pintura abstracta no. 5, 1963

Figura 7: Marcel Duchamp, Rueda de bicicleta, Ready-Made, 1913

Figura 8: Malevich, Cuadrado negro sobre cuadrado blanco, 1913

Figura 9: Lawrence Weiner, Above below the lever of water, 1977

Figura 10: Robert Barry Something which is very near in place and time, but not yet

known to me, 1971

Figura 11: Robert Barry, Something which can never be any specific thing, 1969

Figura 12: On Kawara, Date paintings, 1969

Figura 13: On Kawara, Date paintings, 1966

Figura 14: Jeff Koons, Tulipanes (Guggenheim Bilbao), 1995-2004

Figura 15: Jeff Koons, Puppy (Guggenheim de Bilbao), 1992

Figura 16: Haim Steinbach, Display nº7, 1979

Figura 17: Haim Steinbach, Display nº 7, 1979

Figura 18: Jenny Holzer, Green purple cross & blue cross led, 2008

Figura 19: Jenny Holzer, Monument (led), 2008

Figura 20: Jenny Holzer, Looming red yellow (led), 2008

Figura 21: Barbara Kruger, Your body is a battleground, 1989

Figura 22: Barbara Kruger, Money can buy you love, 1985

Figura 23: Barbara Kruger, We don’t need another hero, 1987

Figura 24: Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner

Figura 25: Joseph Kosuth, One and three chairs, 1965

Figura 26: Joseph Kosuth, Box, cube, empty, clear, glass- A description, 1965

Figura 27: Joseph Kosuth, One and Eight, 1965

Figura 28: Joseph Kosuth, Texto/Contexto, 1978-1979

Figura 29: Joseph Kosuth, Cathexis, 1981

Figura 30: Joseph Kosuth, Fort! Da!, 1985

Figura 31: Joseph Kosuth, Zero and not, 1989

Figura 32: Joseph Kosuth, The language of equilibrium, 2007

Figura 33: Art & Languaje, Index 001, 1972

Figura 34: Art & Language, 100% Abstract, 1968

Figura 35: Art & Language, 100% Abstract, 1968

Figura 36: Robert Barry, 29 Pieces of June 7 1971, 1971

Figura 37: Robert Barry, Multi colored word list, 2009

Figura 38: Robert Barry, Yellow circle, 2009

Figura 39: Robert Barry, Electromagnetic energy field, 1968

Figura 40: Lawrence Weiner, Polaris, 1999

Figura 41: Lawrence Weiner, Bits & pieces put together to present a semblance of a

whole, 2005

Figura 42: John Baldessari, Trying to photograph a ball so that it is in the centre of the

picture, 1972

Figura 43: John Baldessari, I will not make more boring art, 1971

Figura 44: Douglas Huebler, Site Sculpture Project, Windham College Pentagon,

Putney, Vermont, 1968

Figura 45: Jan Dibbets, Perspective Correction - My Studio II, 3, 1969

Figura 46: Jan Dibbets, Shortest day at Konrad Fishcher’s Gallery, 1970

Figura 47: Mel Bochner, Surface distension offset, 1968

Figura 48: Mel Bochner, Transparent and Opaque, 1968

Figura 49: Louise Lawler, How many pictures, 1989

Figura 50: Louise Lawler, Pollock and Tureen arranged by Mr. and Mrs. Burton, 1984.

Figura 51: Bruce Nauman, Violent incident, 1986

Figura 52: Bruce Nauman, Double face, 1981

Figura 53: Bruce Nauman, Window or wall sign, 1967

Figura 54: Bruce Nauman, Human/Need/Desire, 1983

Figura 55: Sol LeWitt, Serial project no. 1 (ABCD), 1966

Figura 56: Grup de treball, Anuncios por palabras, 1973