PRESENTATION MADRID

Introduction to

Precognitive Aesthetics.

A Jungian approach

1

Dr. Giuseppe Galetta, PhD [email protected]

UNIVERSITY OF CASSINO

AND SOUTHERN LAZIO

UNICLAM - ITALY

31st INTERNATIONAL CONFERENCE ONPSYCHOLOGY AND THE ARTS

UNIVERSIDAD COMPLUTENSE DE MADRID, JUNE 25-29, 2014

© S

pencer

Tunic

k: “D

esert

Spirits”

(2013)

DEPARTMENT OF HUMANITIESAND SOCIAL SCIENCES► ► PSYCHOLOGICAL AREA

Introduction to


A Jungian approach

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Archetype

Archetype

Archetype

Archetype

Archetype

Archetype




Introduction to


A Jungian approach

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BEAUTYARCHETYPE

THE MATRIXOF AESTHETIC

PLEASURE




Introduction to


A Jungian approach

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PROFILE 1

PROFILE 2

PROFILE 3

10,000 UsersNaïve Viewers

Art Professionals




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A Jungian approach

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© Richard Serra (1987), “1, 2, 3, 4, 5, 6, 7, 8” (Collection ofthe Artist, © Richard Serra, 2011, © FMGB GuggenheimBilbao, Spain, 2011).

►

Regular

Geometries

►

Black/White

Contrast




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A Jungian approach

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© Yaki Yaskvloski (2008), “El Grito” (from “CuerposVelados” Series).

►

Multiplication

or Repetition

of elements

identical to

themselves




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A Jungian approach

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© Giuseppe Randazzo (2009), “Stone Field 00/exp00:Simple attractor exponential field” (from “Generative StoneFields” Series).

►

Perfect Circles

or Circular and

Round Shapes




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A Jungian approach

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© Anish Kapoor (2007), “Ascension” (GuggenheimMuseum, New York, USA, 2007).

►

The Presence

of Red Color




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A Jungian approach

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© Tanapol Kaewpring (2010): “Untitled #1” (“Entrapment”Exhibition, presented by The Art Dept/VWFA - Valentine WillieFine Art at Jogja Contemporary, Yogyakarta, Indonesia, 2012).

►

Semantic

Contrasts or

Paradoxical

Juxtaposition




Introduction to


A Jungian approach

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© Mikael Aldo (2012), “Nobody came” (day 239/366, from“366 Day Project”, Jakarta, Indonesia).

►

Evanescent,

Evocative

or Surreal

Elements




Introduction to


A Jungian approach

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COLLECTIVE UNCONSCIOUS vs. NETWORK

UNCONSCIOUS

CULTURE

AND MEDIA

AESTHETIC

EXPERIENCES

BEAUTY ARCHETYPE




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A Jungian approach

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PLEASURE PREFERENCES

AESTHETIC PRECOGNITION




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